, “Skirmishes of an Untimely Person,” area fifty one). Nietzsche’s early rivalry which the tragic age of culture began only Using the fortuitous conversation of the Apollonian and Dionysian drives bears a similarity to Goethe’s classical knowledge of art for a tensional polarity concerning the blindly Imaginative will and also the constrain

, “Skirmishes of an Untimely Man,” segment 51). Nietzsche’s early rivalry the tragic age of lifestyle commenced only Using the fortuitous interaction of the Apollonian and Dionysian drives bears a similarity to Goethe’s classical comprehension of artwork as a tensional polarity among the blindly Inventive will and the constraint of official